I like the mid-orange and pale purple combination so much I
couldn't help myself. I started weaving soon after the last post, but stopped after
using a little more than half of the orange bobbin; I got about 14cm.
I
have three bobbins of the paler orange, two of the darker orange, and in comparison
unlimited amount of the purple, (an untouched cone besides all this,) so simple math says I'll get 150cm at this rate,
more if I make purple more prominent.
The colors are more saturated than in the pic, but this is a good representation of the relative characteristics of the three yarns; both the purple and the paler orange has white flecks, while the middle orange is more saturated. Though I just wanted to keep
weaving, I needed a plan, or a scheme on how to mix the two oranges. So over the next few
nights, I drew/painted "thumbnail" versions of how the two oranges can
be positioned. By pages 5 and 6, I knew I had two viable options: to use the orange wefts more or less in turn, as in the top six examples, or insert the darker orange in the center, sandwiched between the pale orange and purple, as in the bottom six examples. The top option is easier to weave, starker in look, while the bottom option is more delicate and prettier. I painted a few more examples of the top option, and though not all that different as plans, the two looks give very different impressions. I like the bottom look better for now.
These "thumbnail" sketches are grossly out of proportion, but the paint colors are accurate (by accident). I'm not sure whether to take the plunge with whichever option I choose, or think/paint a little more.
We are expecting a few heavy-rain days later in the week, and it would be a good time to be weaving something fussy, if I can make up my mind by then.
2 comments:
What a great idea to explore the color possibilities in a notebook with paint. I like the second set best too.
Leigh,
The second lot does look more attractive, doesn't it? Yikes, I think I have "no choice" but to go that way. :-D
Post a Comment