Ben chose the second set of wefts, a blue-white and the same
dark gray. I decided not to rethread because of time constraints; also because I wasn't confident if rethreading will necessarily result in better design/texture, and I didn't want to kick myself thinking I ruined it again.
I didn't know this at the start, but apparently I wanted to create bigger shapes. It's much easier to do fussy zig-zag lines, while patience, dexterity and the ability to predict shapes/lines, are needed to make bigger shapes. Restricting myself to weaving 20-30cm a day, (which felt like a terribly bad use of time,) was a big factor in giving me headspace and practice smoother lines/bigger shapes.
So I don't jinx myself, I started treadling 2-3-4-5, then changed direction twice, so a great majority of the piece was woven with this treadling. (And I'm still not sure why this is easier after all the years of preferring 5-4-3-2, but never mind, it works, I'll stick with it.)
I still don't have the ability to foresee where the line between the dark and light wefts go, and many, many times, I moved them, opening the same shed twice, thrice, or more adjusting. I never understood how changes in angle, (how far left/right the intersection of the two wefts are in relation to the previous pick,) will reflect in the longer curve of the line, so sometimes the move was too acute where I wanted more gentler curves, while other times the angle was too obtuse, or even not moving at all. I tried drawing lines on paper to see if I could understand better, but it didn't help much. I'm going to do some more drawing on graph paper, but also, I might start drawing cartoons, not for whole scarves but in sections where I want to reuse the shapes. For e.g. I liked this section, which looks like Casper and his unfriendly cohorts, or sharks' fins.
For variety, I did include some zigzags. I still don't have the ability to foresee where the line between the dark and light wefts go, and many, many times, I moved them, opening the same shed twice, thrice, or more adjusting. I never understood how changes in angle, (how far left/right the intersection of the two wefts are in relation to the previous pick,) will reflect in the longer curve of the line, so sometimes the move was too acute where I wanted more gentler curves, while other times the angle was too obtuse, or even not moving at all. I tried drawing lines on paper to see if I could understand better, but it didn't help much. I'm going to do some more drawing on graph paper, but also, I might start drawing cartoons, not for whole scarves but in sections where I want to reuse the shapes. For e.g. I liked this section, which looks like Casper and his unfriendly cohorts, or sharks' fins.
Towards the end, however, I was adamant I was going to tame the smooth lines, making the last quarter (bottom) boring in my eyes. Except... I got a cute hippo as a result. I know, now you can't unsee him, either, can you? Anyhoo...
First piece, right, washed/agitated again. Second piece, left, washed/agitated vigorously. Color sample, also washed/agitated a second time. Though both still wet, the texture is fluffier than the first piece after one wash, although still nowhere near the initial sample. White weft of the second piece is striking, but the light mid-gray of the first is nuanced and attractive.
There is one problem, also, of weaving with clasped wefts in twills, which I learned when I wove in this style a few years back, but I haven't considered it in any depth. I'll show you in the post discussing the next piece.
I got 213cm on the loom this time; 205cm in above pic, 204.5cm at completion. Just in time for Farewell Do on Wednesday.
1 comment:
His name is Edwin.
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