Possibility 1
Possibility 2
Mom wanted me to hurry and make the bag, but I've really gotten used to working and playing carefully. I still recall reading Connie Rose's this post when I was blown away with the idea of observing one's work and rethinking if needed. I've been inundated by simple, graphic, Japanese motifs. These motifs are everywhere all year around, but are more visible in the summer with the resurgence of Japanese towels ("tenugui"), which are thin, plain-weave cottons the width of a kimono fabric, (approx 30cm) and, oh, somewhere around 45-60cm long, but also in gazillion permutations.
I wasn't thinking of them specifically when I worked on simple-to-weave-on-table-loom drafts, but I see the connection. I'm moving the motifs rather than placing them on a grid.
This is one I'm about to finish weaving; I see cute, colorful plastic buttons.
Mom and I happened upon a short doco on how the simple indigo polka dots, called "mame/pea shibori", towels are dyed in Arimatsu, and must have wanted something similar.
Up next I have a white warp. Yes, white! (The warps I brought are for two scarves each, as I expected to have difficulty winding longer on the Ashford table looms.) To me this resembles square snowflakes, or the kind we made folding and cutting origami as kids. I'm using the same white cashmere/silk in the weft against fluffy white cashmere warp.
I need another draft for this warp now, with the same threading.
4 comments:
Wow, Meg. Did you do that on a regular loom, or a tapestry loom? It's really beautiful!
Thanks, Connie. Ashford Rigid Heddle, I think 60cm wide.
I love the designs, especially the snowflake one. Want!
Thanks, Maria. But they need to be woven on my loom back home; not so good on the "soft" looms Mom has.
Post a Comment