Earlier in the evening, Re:fine at The Suter opened. It was supposed to be a condensed version of the same exhibit in Wellington in September, but I was surprised how much Anna Marie White, the curator, managed to squeeze in our smaller gallery. Everybody's art pieces looked glad to be back in Nelson. My "Wave" and "Windprint" made it back in, pretty much in the same arrangement as in Wellington, but "Tapa" didn't. From the start Anna had this mental picture of "Wave", leading up to the crow-colored costume, with "Tapa" behind it, but this time when she hung "Tapa", the soft yarns' colors disappeared in the harsh light. Which made me think of the Big Ribbon at the Refinery; I knew that one was for showing, so I used shiny coarse yarns. Tapa, I wove first and foremost to wear, so it is soft and luxurious, but to the hanging-and-showing-under-the-spotlight, I didn't pay as much attention.
Anna is wearing "Deep" in the Nelson summer, with folds showing the way I love; what a friend.
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